Posts tagged: poetry

tylerknott:

Typewriter Series #418 by Tyler Knott Gregson

tylerknott:

Typewriter Series #418 by Tyler Knott Gregson

What exactly does ‘a Hispanic’ look like? Do I need to look like Juan Valdez and sell Folgers in a T.V. commercial, sift my fingers through Colombian coffee beans I picked myself, sitting on the back of my reliable mule, Conchita, next to a brokedown Chiva in an oversized sombrero, — for me to “look” Latino? Or look like “a Hispanic” as you say? And what is “a Hispanic” exactly? I could guess what you mean and assume that it’s a low-priced gardening tool like the one buried in a shed behind your Victorian summer home or that invisible harvesting instrument that picks all of your grapes for you and has to survive on slave wage plantations without unions, bathroom breaks, or vacation. Or maybe when you say “a Hispanic” you mean your stand-in parent? That person who raises your kids for you when you’re tired of being a mom? That mouthless set of infinite hands and knees that scrubs the shit from your toilets and throws away the used condoms when you forget to hide them. And I don’t have a backyard or a lover on the side, or kids for that matter, so maybe I just haven’t had the need yet, but I haven’t come across “a Hispanic” thus far in my life nor have I met “a black,” “a Chinaman,” or “a towel-headed A-rab”anytime recently either, but I have met Latinos proud of the vibrant patch-work quilt we’ve had to weave over centuries across an endless cemetery that cradles our past, a swollen dust underneath our soles – wherever we stand – that we nickname home twisting roots at war, looking for nothing else but to be held – you know “held”? Like a family grasping onto each other because they’ve left behind everything and only have each other left, arriving on Mars without a guidebook or a map. I have met Latinos, who people think are Aboriginal in Patagonia, east Asian in Chile, west African in La República Dominicana, Scandinavian in Argentina, and Native American in Colombia. I have met Latinos who look like Juan Valdez and can’t speak a word of Spanish, others who look like Hillary Duff with a mother who looks like Hillary Clinton that are from Paraguay and teach Spanish grammar in Puerto Rico. Latinos who speak Quechua and nothing else, dance cumbia like the horizon is on fire because of them and now they’re trying to burn tomorrow to the ground. I have met Latinos who cook like their broken English moms and mispronounce their own last names, Colombians who don’t know who Gabriel García Márquez is, dark-skinned Dominicans who hate Haitians because they remind them that they’re African, blue-eyed Cubans who spit poetry about ¡Revolución! and mean it – living in Miami with two parents who lost their mansions in the 1950s to it. I don’t tattoo my body because my veins are already too full with ink, passion-rich pigments that can’t help but pulse and flow look at my heart, you short-sighted fool I mean really look at it – cut open my chest and stare at that proud glow and then ask me if I “look” Latino.

Transcript of Carlos Andrés Gómez’ “Juan Valdez” (or “Why is a white guy like you named ‘Carlos’?”):

This video is incredible. MUST watch.

(via political-linguaphile)

I feel as if I am an ad
for the sale of a haunted house:
18 rooms
$37,000
I’m yours
ghosts and all.
Richard Brautigan (via fishturnpink)
Letter Composed During a Lull in the Fighting

I tell her I love her like not killing   
or ten minutes of sleep   
beneath the low rooftop wall   
on which my rifle rests.   

I tell her in a letter that will stink,   
when she opens it,   
of bolt oil and burned powder   
and the things it says.   
I tell her how Pvt. Bartle says, offhand,   
that war is just us   
making little pieces of metal   
pass through each other.
Ö by Rita Dove

Shape the lips to an o, say a.
That’s island.

One word of Swedish has changed the whole neighbourhood.
When I look up, the yellow house on the corner
is a galleon stranded in flowers. Around it

the wind. Even the high roar of a leaf-mulcher
could be the horn-blast from a ship
as it skirts to the misted shoals.

We don’t need much more to keep things going.
Families complete themselves
and refuse to budge from the present,
the present extends its glass forehead to sea
(backyard breezes, scattered cardinals)

and if, one evening, the house on the corner
took off over the marshland,
neither I nor my neighbour
would be amazed. Sometimes

a word is found so right it trembles
at the slightest explanation.
You start out with one thing, end
up with another, and nothing’s
like it used to be, not even the future.

maggie and milly and molly and may

maggie and milly and molly and may 
went down to the beach(to play one day)

and maggie discovered a shell that sang 
so sweetly she couldn't remember her troubles,and

milly befriended a stranded star
whose rays five languid fingers were;

and molly was chased by a horrible thing 
which raced sideways while blowing bubbles:and

may came home with a smooth round stone 
as small as a world and as large as alone.

For whatever we lose(like a you or a me) 
it's always ourselves we find in the sea

-E. E. Cummings

That summer I did not go crazy

but I wore

very close

very close

to the bone.

Dorothy Allison, “To the Bone“  (via theworldsgotmedizzyagain)
I want a trouble-maker for a lover - blood spiller, blood drinker, a heart of flame, who quarrels with the sky and fights with fate, who burns like fire on the rushing sea.
Rumi (via exhibit36a)
We’ve made a graveyard out of the bone white afternoon.
from “Wishbone,” by Richard Siken (via drabbard)

The Truth the Dead Know

  by Anne Sexton

For my Mother, born March 1902, died March 1959
and my Father, born February 1900, died June 1959
Gone, I say and walk from church,
refusing the stiff procession to the grave,
letting the dead ride alone in the hearse.
It is June.  I am tired of being brave.

We drive to the Cape.  I cultivate
myself where the sun gutters from the sky,
where the sea swings in like an iron gate
and we touch.  In another country people die.

My darling, the wind falls in like stones
from the whitehearted water and when we touch
we enter touch entirely.  No one's alone.
Men kill for this, or for as much.

And what of the dead?  They lie without shoes
in the stone boats.  They are more like stone
than the sea would be if it stopped.  They refuse
to be blessed, throat, eye and knucklebone.
froghair:

jelloagogo:

I never settled. I did not mince words. I do however, remember this;
The Beautiful Poem
I go to bed in Los Angeles thinkingabout you.
Pissing a few moments agoI looked down at my penisaffectionately.
Knowing it has been insideyou twice today makes mefeel beautiful.
3 A.M.January 15, 1967


This is one of my favorite poems since I was thirteen and almost aware of having a man’s pecker…
I hoped this would be me someday…
And with you it was.

froghair:

jelloagogo:

I never settled. I did not mince words. I do however, remember this;

The Beautiful Poem

I go to bed in Los Angeles thinking
about you.

Pissing a few moments ago
I looked down at my penis
affectionately.

Knowing it has been inside
you twice today makes me
feel beautiful.

3 A.M.
January 15, 1967

This is one of my favorite poems since I was thirteen and almost aware of having a man’s pecker…

I hoped this would be me someday…

And with you it was.

I just need to know
no matter how hard you push,
I will not give up.
A Book of Music

Coming at an end, the lovers
Are exhausted like two swimmers.  Where
Did it end?  There is no telling.  No love is
Like an ocean with the dizzy procession of the waves' boundaries
From which two can emerge exhausted, nor long goodbye
Like death.
Coming at an end.  Rather, I would say, like a length
Of coiled rope
Which does not disguise in the final twists of its lengths
Its endings.
But, you will say, we loved
And some parts of us loved
And the rest of us will remain
Two persons.  Yes,
Poetry ends like a rope.

~Jack Spicer